Ray Bradbury’s Magic Cabinet: Why Clutter Clearing is Overrated for Artists
by Thea Fiore-Bloom, Ph.D.
The old TV show “The Ray Bradbury Theatre” opens with the camera peering down a coal-black elevator shaft at the heart of a 1930’s office building.
We watch as an antique box elevator ominously rises up toward us.
Doors quietly open.
Bradbury, in silhouette, exits the elevator and walks us into a darkened set of rooms crammed with strange objects.
As Bradbury clicks on one lamp after another, the viewer gets to glimpse various desks piled high with his treasures. Globes, weighty plastic alien skulls, and even heftier plastic dinosaurs teeter atop piles of comic books and dime-store sci-fi novels.
We start to understand that this cabinet of curiosities is, in fact, Ray Bradbury’s office.
Where Was Ray Bradbury’s Office?
Bradbury worked in an Aladdin’s cave of an office for fifty years. It lay nestled within the now sadly demolished walls of a charming 1930s yellow bungalow at 10265 Cheviot Drive in Culver City, California.
This crazy place that may have given Marie Kondo a seizure is where one of the best science fiction/horror/fantasy writers in the world dreamt up his stories.
But back to our story.
We then hear Bradbury’s deep voice boom out a question:
“People ask me, where do you get your ideas?
He surveys the room and then answers:
“All this is my Martian landscape, says Bradbury.
“Somewhere in this room is an African veldt; just beyond, perhaps, is a small Illinois town where I grew up, and I’m surrounded on every side by my magician’s toy shop.”
He adroitly swivels around in his chair and pops a crisp blank piece of paper into his seemingly expectant typewriter.
“I’ll never starve here,” says Bradbury.
“I just look around and find what I need and begin.
I am Ray Bradbury, and this is. . .”
He pecks out 12 letters the camera zooms in, and we see they spell out:
With the audience now captured, the program begins.
I don’t remember the actual show, but that damn intriguing intro is in my head forever.
Why did that sequence get me and other future artists and writers so excited?
Ray Bradbury and Loving What You Love
Well, in that one-minute tour, Bradbury sanctioned you to love what you loved and explore the giant universe with all your heart, all from within the confines of a tiny darkened room filled with your passions and bright ideas.
But for me, Bradbury’s offices (and the offices and home museums of other great writers, artists, and thinkers I’ve visited around the world for my dissertation) also did me the favor of affirming one particular truth that is rarely spoken of.
And the truth is that specific stuff (what others might term junk) is vital to great artists and writers.
Particular objects of ours safely house our memories or daydreams.
Particular objects of ours harbor our brightest ideas, patiently keeping them safe till we are ready to call upon them.
Smart Folks Throughout History, Like Ray Bradbury, Daydreamed With Objects
Having piles of stuff lying about is a proud artistic and intellectual tradition.
Artists, writers, and other great thinkers have surrounded themselves with things and used things to think with since before the renaissance.
If you were lucky enough to have a room packed with objects that made your brain purr back in Italy, Germany, or the Netherlands of the 1400s-1600s, you wouldn’t be trying to clutter clear it. Instead, you would proudly refer to it as your studiolo or your wunderkammer.
Men (and a few brainy, wealthy women like Isabel D’este) used to have small rooms built inside their bigger rooms with the sole purpose of cram-jamming them full of astrolabes, taxidermied alligators, alembic vessels, books, and anything else that made their brains jump for joy.
Ray Bradbury’s Connection to Studioli and Wunderkammer
Our modern term studio is a direct descendant of the Italian word studiolo.
And Wunderkammer is German for “wonder room.”
The first public museums were the result of putting the collections from private studioli and wunderkammern on display in public spaces.
So if it weren’t for mad stuff-obsessed thinkers and collectors, the British Museum and the Met wouldn’t have been born.
Ray Bradbury is Proof Clutter Clearing is Overrated
But is fabulous brain-stimulating stuff becoming an endangered species?
We live in a time when simplifying our spaces is all the rage.
Don’t get me wrong; I respect Marie Kondo and her Life-Changing Magic of Tidying Up.)
And yes, I agree, it’s great to let go of what no longer serves you.
But the thing is, the oddest objects can serve artists and writers.
So my point here is don’t be shamed into throwing all your babies out with all your bathwaters.
Critics called Ray Bradbury eccentric and a lousy housekeeper, but he didn’t care what others thought of him.
So why should you feel guilty if you keep strange things around, love collecting, or have dust in your studio?
Because you’re an artist or writer, not a spokesperson for Glade®.
Know that, like Bradbury, there is a method to your madness regarding objects and the state of your workspace.
Children (and adults whose child is still alive within them) have the courage to put their fascinations on display proudly.
Ray Bradbury’s assertiveness, playfulness, and self-regard made him independent enough to create and enjoy a liminal place packed with meaningful objects to work and dream in.
And we can enjoy objects in the same way.
P.S. Like Ray Bradbury, Your Studio Is Not a Mess, If You Say it in Italian
Next time you look out over your studio and think it is an insane mess, reframe the situation in your head.
Why not see your strange piles as a necessary part of a genuinely charmed studio?
Charmed studios celebrate meaningful stuff lying about.
And if that doesn’t work, and you still think you can’t have fun with art until you tidy up, go ahead and bust out some Italian.
Dub your studio a studiolo.
This way, you don’t have to clean it this minute.
Instead of tidying up, pour yourself a Campari® and soda or an Orangina® over ice, and make more art.
That’s what Bradbury (who wrote at least twenty-four books) would do, though he preferred cracking open a humble Coors®.
And while you are in your art or writing space today, keep an eye out for some objects that might be patiently housing your next brilliant idea.
Maybe that stray phrenology head, broken clock, or set of Japanese anime action figures is holding a brilliant idea for a memoir or your next painting.
I have a pool table-green, enchanted suitcase from the 1940s in my workspace that has been calling my name lately.
Please tell me an object in your studiolo that has been winking at you lately in the comments below.
“The things of this world are vessels, entrances for stories; when we touch or tumble into them, we fall into their labyrinthine resonances.”
— Lynda Sexson (author of Ordinarily Sacred)
It could be a vintage gun holster from the Wild West.
Or a special chipped teacup?
I’d love to know in the comments below.
Check out my new post on objects and genius in the life of Nobel laureate Orhan Pamuk:
Ray Bradbury’s Love of Libraries
Want to know what Bradbury perhaps loved even more than his private collection of stuff?
“Libraries raised me. I don’t believe in colleges and universities. I believe in libraries because most students don’t have any money. When I graduated from high school, it was during the Depression, and we had no money.
I couldn’t go to college, so I went to the library three days a week for ten years.” — Ray Bradbury
Bradbury’s personal library was willed to the Waukegan Public Library, where he had many formative reading experiences.
Where To Find Bradbury’s “New” Office
Since I wrote this post, The Center for Ray Bradbury Studies has opened a simulation of Bradbury’s cluttered old office that fans can visit in Indianapolis, Indiana.
The excellent news is Bradbury’s myriad papers, and his thirty-three-odd filing cabinets are there, but sadly, there is not a Coors can or a disorderly pile of plastic dinosaurs in sight.
You can take a tidy virtual tour or get more info here.
Also, check out Torsten Adair’s post on Bradbury’s impact on the world here.
You may also like these Charmed Studio Posts:
Join the hundreds and hundreds of heart-centered artists who get bi-monthly writing and marketing tips.
As my thank you for subscribing you'll get access to The Charmed Studio's Popular:
Writing Academy For Artists Toolkit